Showing always beats telling.
Some things are better shown. We find the story, shoot it and turn it into pieces that fit the places where your audience will watch them.
Let’s talk about yoursThe Roig film combines viewpoints to explain a construction site. Each shot contributes information; editing turns them into a piece.
In Sils, wide shots place the site in its surroundings while machinery brings the work closer. Aerial and ground filming come together in a 1:37 film.
View the complete case
A promotional film needs to organise places, activity and message. The case shows how selection and editing create continuity across the piece.
View the complete caseDrone footage gives a story another perspective. We bring aerial images and ground filming into the same project, from the brief to the final edit.
The objective, location and viewpoints the film needs.
Filming and aerial capture connected to the script and the location.
Image selection and editing, with versions for the agreed channels.
Duration, orientation, channels, languages and versions influence what needs preparing and filming.
Objective, approach, locations and a shot or scene list. A script where the piece needs one.
Arrive at the shoot knowing what the story requires.
Original video and photography. Drone footage where an aerial view adds information to the story.
Capture useful material for the edit and intended formats.
Selection, editing, colour, graphics and agreed exports. Subtitles and versions where they are part of the brief.
Publish the piece in the defined channels.
Formats and message are decided early enough for the footage to support them.
Agree the objective, audience, location and output pieces.
Review: approach, shooting plan and formats.
Work with wide shots, action and detail, combining ground and air when the project calls for it.
Review: required coverage and visual continuity.
Select, edit and refine the piece around its message and channel.
Review: edit, copy and final versions.
A defined engagement
For teams with activity and stories that need consistent communication. We organise topics, production, publishing and review at a pace your team can sustain.
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The proposal defines the pieces, revisions, responsibilities and exclusions. Each engagement has its own scope.
We shoot once, deliver for every format. 16:9 alone is nobody these days.
Yes, and it usually works better: your own faces sell more than stock libraries.
Yes: certified pilot, insurance and permits handled per flight. That's how we filmed the Sils logistics platform for Roig and the Esplugues international film.
An idea of what you want to tell and to whom. Script, production and everything else is on us.
From one-day-shoot pieces to productions with drone, voice-over and titling. The budget follows the scope — and we give it to you closed.
Both: event coverage (years of Sant Just's Festa Major), product, corporate… Same obsession, camera in hand.
Yours. We deliver the final pieces and, if you want them, the raws too. No hostages.
These are good starting points:
Want to get your thoughts in order first? Start with the brief.
Prepare my brief